Nettleseren støttes ikke av khio.no, og siden kan vises feil. Vennligst oppgrader til en moderne nettleser. Hvis dette ikke er mulig, prøv å skru av javascript. Siden vil bli da enklere, men for det meste fungere.

Støttede nettlesere: Chrome 130, Firefox (Android) 130, Android WebView 130, Chrome 130, Chrome 129, Chrome 128, Chrome 127, Chrome 109, Edge 130, Edge 129, Edge 128, Firefox 132, Firefox 131, Firefox 130, Firefox 91, Firefox 78, Safari/Chrome (iOS) 18.0, Safari/Chrome (iOS) 17.6-17.7, Safari/Chrome (iOS) 17.5, Safari/Chrome (iOS) 16.6-16.7, Safari/Chrome (iOS) 15.6-15.8, Opera Mobile 80, Opera 114, Opera 113, Safari (MacOS) 18.0, Safari (MacOS) 17.6, Samsung 26, Samsung 25

Javascript er skrudd av. khio.no bør fungere, men med et enklere grensesnitt.

Utstilling

Peter Horneland: Mammalian Dive Reflex

Peter Horneland: Mammalian Dive Reflex

Fondet for kunst- og designstudenter (FKDS) and Akademirommet/The Academy of Fine Art presents Peter Horneland. He is currently occupying one of the FKDS grant studios at Kunstnernes Hus.


MAMMALIAN DIVE REFLEX
An installation by Peter Horneland

"Grasping for safe metanarratives in an era of ontological collapse is a fool's errand. If you're thirsty you're just going to have to get used to drinking from Azathoth's firehose."
― Gordon White, Whisky Rant: Disc 2 (Special Features), runesoup.com

Information is no longer a scarcity, we're drowning in it. However, many are thirsty for our attention. Some last gasps before we're flushed away would be appropriate. Hopefully our descendants give up and grow gills.

Four websites, one projected on each wall. Each site contains a different "automatic content generator", a mechanism that produces a new image or text every time the page is refreshed. All four are updated simultaneously, and left for only a moment before they’re replaced by the next iteration.

The expression FOMO (short for ‘Fear Of Missing Out’) was coined in 2004. As a disease it preys on our modern attention-based economy. It’s impossible to experience everything, particularly when this "everything" spawns from a near infinite amount of available permutations. No longer needed in the process are such speed-limiting intermediaries as human intervention.

This isn’t necessary:
https://en.wikipedia.org/wiki/Attention_economy
https://en.wikipedia.org/wiki/Azathoth
https://en.wikipedia.org/wiki/Emergence
https://en.wikipedia.org/wiki/Heuristic_(disambiguation)
https://en.wikipedia.org/wiki/Hydrodynamics
https://en.wikipedia.org/wiki/Mammalian_diving_reflex
https://en.wikipedia.org/wiki/Metanarrative
https://en.wikipedia.org/wiki/Objective_collapse_theory
https://en.wikipedia.org/wiki/Ontological_hermeneutics
https://en.wikipedia.org/wiki/Post-scarcity_economy
https://en.wikipedia.org/wiki/Recurrent_neural_network
https://en.wikipedia.org/wiki/The_Fool_(Tarot_card)
https://en.wikipedia.org/wiki/The_Society_of_the_Spectacle

“But even if such a prediction were true, our inability to distinguish between a virtual reality simulation and the real world will have less to do with the increasing fidelity of simulation than the decreasing perceptual abilities of us humans.”
― Douglas Rushkoff, Program or Be Programmed: Ten Commands for a Digital Age


Peter Horneland
, artist & vitki. Focused on maps, sacrality, and non-local consciousness, through installation, performance, sculpture, and digital works. Studied at the Oslo National Academy of the Arts. Currently occupying one of the Fondet for Kunst- og Designstudenter (FKDS) grant studios at Kunstnernes Hus. Together with WAAAHAWAD won the From Dusk till Dawn 2017 Art Prize from Vandaler Forening and PNEK. Participated in the 3rd Oslo Bring-Your-Own-Beamer by Field of Dreams in October. Previously exhibited His Great Breakthrough at Akademirommet in 2016. Will be performing at the Oslo Winter Solstice Festival in December 2017. More of his works can be found at peterhorneland.com