Forestilling
Tribute to Kurt Jooss’s “Green Table” (2025)
Manuel Pelmuș presenterer et nytt koreografisk verk under åpningen av festivalen steirischer herbst ’25 i Graz.
Manuel Pelmuș and Frédéric Gies revisit Kurt Jooss’s seminal antiwar ballet The Green Table (1932) on the futility of diplomacy in the face of fascism and war. Their tribute—performed as a solo by Gies in reference to Jooss’s original concept—enters into a critical dialogue with the piece, engaging with its choreographic vocabulary and political urgency. The tradition of the danse macabre, where Death dances with members of all classes, plays a central role in this. Pelmuș and Gies address today’s fractured global order, where peace negotiations often serve as performances of control rather than paths to resolution.