Your browser is not supported by khio.no. To view this site please upgrade or use another browser. If you can't use a modern browser, try disabling javascript, which will make khio.no simple, but mostly usable.

Supported browsers: Chrome 144, Firefox (Android) 147, Android WebView 144, Chrome 144, Chrome 143, Chrome 142, Chrome 141, Chrome 139, Chrome 126, Chrome 125, Chrome 112, Chrome 109, Edge 144, Edge 143, Edge 142, Firefox 147, Firefox 146, Firefox 145, Firefox 140, Safari/Chrome (iOS) 26.2, Safari/Chrome (iOS) 26.1, Safari/Chrome (iOS) 18.5-18.7, Opera Mobile 80, Opera 125, Opera 124, Safari (MacOS) 26.2, Safari (MacOS) 26.1, Samsung 29, Samsung 28

Javascript is disabled. khio.no should still be usable, but the user experience will be simpler.

Talk

Photo courtesy of Thomáš Celizna, book designer.
Photo courtesy of Thomáš Celizna, book designer.

Lucy Cotter: Reclaiming Artistic Research

Open lecture with Lucy Cotter is part of the community and program of artistic research fellows at KHiO.

This event is a hybrid physical/digital experience.

Physical location: KHiO, Fossveien 24, Oslo - Auditoriet
Max 25 person limit.

Zoom registration: link

In her recently published volume Reclaiming Artistic Research (Hatje Cantz, 2019) Lucy Cotter argues that artistic research needs to be salvaged from the shadows of academic definitions and institutional debates. In this lecture she will foreground how art’s ways of knowing and unknowing open up through attention to form, through play, and through the ability and desire to question the terms of the terms of the many discourses it engages with, rather than providing supplementary knowledge. Challenging the bias towards linguistic articulation, she will highlight how ideas emerge through material, conceptual and embodied ways of working and celebrate the stubborn singularity of artistic thinking. The lecture will be held in English.

This lecture is part of the community and program of Artistic Research Fellows at KHiO.

Lucy Cotter Biography

Lucy Cotter’s multidisciplinary practice explores aesthetics, politics, and the unknown through art critical writings, curating, ficto-theory and lecture performances. A regular contributor to journals such as Flash Art, Frieze, Mousse and Third Text, she is currently working on a new book, Art Knowledge: Between the Known and the Unknown, and an experimental play The Entangled Museum, which circles around issues of restitution, cultural beliefs and the limits of acceptable knowledge. She was curator of the Dutch Pavilion at the 57th Venice Biennale (2017), and, most recently, The Unknown Artist at the Center for Contemporary Art and Culture, Portland, OR, USA (2020).