Your browser is not supported by To view this site please upgrade or use another browser. If you can't use a modern browser, try disabling javascript, which will make simple, but mostly usable.

Supported browsers: Chrome 97, Firefox (Android) 95, QQ browser 10.4, UC browser 12.12, Android WebView 97, Baidu 7.12, Chrome 97, Chrome 96, Chrome 95, Chrome 94, Edge 97, Edge 96, Firefox 96, Firefox 95, Firefox 94, Firefox 91, Firefox 78, Internet Explorer 11, Safari/Chrome (iOS) 15.2-15.3, Safari/Chrome (iOS) 15.0-15.1, Safari/Chrome (iOS) 14.5-14.8, Safari/Chrome (iOS) 14.0-14.4, Safari/Chrome (iOS) 12.2-12.5, KaiOS 2.5, Opera Mini, Opera Mobile 64, Opera 82, Opera 81, Safari (MacOS) 15.2-15.3, Safari (MacOS) 15.1, Safari (MacOS) 14.1, Safari (MacOS) 13.1, Samsung 16.0, Samsung 15.0

Javascript is disabled. should still be usable, but the user experience will be simpler.

Transactional Aesthetics, – and so can you!

PhD Candidate Ida Falck Øien's doctoral project

Academic summary

The project Transactional Aesthetics looks into models of transactionship focusing on value transitions, in order to explore possible influences on the dynamics of human-garment relationships. To understand the rationale underpinning varying longevity of constituents making up a wardrobe I am exploring the ways in which they got there. Can the mode of acquiring possessions give direction to or exert influence on the un/conscious emotional relationship that humans have to them? How can knowledge in this field, enrich, direct and show new paths for fashion design today, exemplified in the work with a brand in Norway in the period of 2018 to 2021.


I am questioning the role of the clothing designer in an increasingly apparent crisis of worldwide garment overflow. After ten years in fashion, I am motivated by the challenge of having been a small scale player in a saturated market place for many years, the current development of consumer manipulation reaching ever increasing heights with new technological advances, and a looming environmental tipping point. The garment industry (i.e. fashion industry) is the second largest polluter today. This can´t be solved only by offering organic slogan T-shirts or high street stores arranging a repair day once a year. Fashion is more than the actual garment or piece of accessory; it´s a social phenomenon, experience-based and made from multiple layers of culture and commerce. Furthermore, fashion´s selfproclaimed identity as constantly hungry for newness could make good conditions for rethinking the use of resources both human and material in surprising ways.


Over the 3 year period as a fellow I am unfolding a broad understanding of transaction vs usership through a series of inquiries and disruptions in four parallel and perennial processes; 1) the use of ethnographic strategies, like wardrobe studies, interviews and fieldwork; 2) a close collaboration with a fashion label developing garments to insert as responses to finds and questions based in the interviews, 3) running a brick and mortar space open to the public in which collaborative and autonomous guest appearances revolving around transactionship take place, and; 4) a publication and scarf-series that both publish and generate new finds and viewpoints on additional topics as seen through the lens of transaction. Importantly, all of these measures will be carried out under the dynamics of collaborative practices.

Project facts

Project title Transactional Aesthetics, – and so can you!
Project manager Ida Falck Øien
Oslo National Academy of the Arts
Start date
End date
Project status Concluded
Department Design