Artistic Research Fellows is parallel to other research educations organised as academic PhD programmes.
The programme intends to secure high level artistic research and leads to expertise as Associate Professor. The programme offers a three-year position as Research Fellow to candidates who have completed the highest art education within their subject area.
Most of the Fellows at Oslo National Academy of the Arts are organised by The National Artistic Research Fellowships Programme, but some are financed by the Academy itself.
Ph.d in artistic research
To be eligible to apply for the doctoral study programme, the applicant must, as a minimum requirement, have a master’s degree in performing or creative arts in one of the relevant disciplines, as described in the Norwegian Qualifications Framework, table of qualifications, 2nd cycle, level seven.
Oslo National Academy of the Arts may, after special assessment, recognise other equivalent educations as basis for admission. The same goes for corresponding artistic competency.
The Academy of the Arts can pose additional requirements for qualifications, using criteria that are openly accessible and in compliance with the school’s recruiting policies and disciplinary profile.
For more information, contact Therese Veier, e-mail: firstname.lastname@example.org
Current Research Fellows
- Ida Falck Øien
- Ane Thon Knutsen
- Birgitte Appelong
- Camilla Bruerberg
Art and Craft
- Merete Røstad
- Katrine Køster Holst
- Siri Hermansen
- Geir Tore Holm
- Franz Petter Schmidt
- Yuka Oyama
Academy of Fine Art
- Marie Kølbæk Iversen
- Liv Bugge
- Jan Peter Hammer
- Ane Graff
Academy of Opera
- Silje Aker Johnsen
- Nils Harald Sødal
Academy of Theatre
- Lisa Charlotte Baudouin Lie
- Morten Cranner
- Finn Iunker
- Tale Næss Lysestøl
Academy of Dance
- Eva-Cecilie Richardsen
- Ingri Fiksdal
- Janne Camilla Lyster
Research Fellow graduates
Jesper Alvær defended his thesis in 2017. Read more about Alværs project.
Yuka Oyama defended her thesis in 2017. Read more about Oyamas project.
Geir Tore Holm
Geir Tore Holm defended his thesis in 2017. Read more about Holms project.
Eva-Cecilie Richardsen defended her thesis in 2016.
Siri Hermansen defended her thesis in 2016.
Birgitte Appelong defended her thesis in 2016.
Andreas Bunte defended his thesis in 2016.
Annelise Bothner-By defended her thesis in 2015
Njål Sparbo defended his thesis in 2014.
Thomas Kvam defended his thesis in 2014.
Andreas Siqueland defended his thesis in 2013.
Ane Hjort Guttu
Ane Hjort Guttu defended her thesis in 2013.
Marianne Heier defended her thesis in 2013.
Per Gunnar Eeg-Tverbakk
Per Gunnar Eeg-Tverbakk defended his thesis in 2012
Sara Margrethe Oskal
Sara Margrethe Oskal defended her thesis in 2010.
Prosjekt: "Planlagt intuisjon, bevisste veier til det ubevisste" - en utvikling av Konstantin Stanislavskijs improvisasjonsmetoder.
Tyra Tønnessen defended her thesis in 2009.
Megamonstermuseum: The Art Sphere as a Public Arena
The fellowship project Megamonstermuseum: The Art Sphere as a Public Arena started in 2003 and has aimed to discuss the concept of the public and the changing notion of the public sphere, with the use of the art museum as a specific case study.
Tone Hansen defended her thesis in 2009.